A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

A gold miner observes from the distance how some women miners work at an open-pit gold mine in Nyarugusu, Geita Region, Tanzania on May 27, 2022. Tanzania is a land rich in minerals and one of the main gold producers in Africa, with gold representing more than 90% of the country's mineral exports. Artisanal and small-scale gold mining have culturally and historically relegated women's participation. The extractive sector in Tanzania has historically been a male-dominated industry with high levels of harassment, sеxual abuse, discrimination and misconceptions over women's involvement, and contributions following traditional beliefs. (Photo by Luis Tato/AFP Photo)

Worth 1000`s photoshop contest for making the best celebrity mug shot

Nelson Mandela make up complete. 40-year-old London-based makeup artist, Maria Malone-Guerbaa has the ability to transform herself into any celebrity or creature using only her basic makeup essentials. Maria used only make up and face paints to create the illusion of Nelson Mandela, Britain's Queen Elizabeth II, and many other A-list celebrities. (Photo by Maria Malone-Guerbaa/Rex Features USA)

Edinburgh mask maker Lorraine Pritchard on Sunday, January 28, 2024 alongside some of her Venetian masks which will be worn and displayed at the Venice Carnival, which starts on Saturday February 3. Lorraine studied model making at Glasgow College of Building and Printing and Venetian mask making in Florence, Italy. She travels to Venice each year to be a “mask” herself, wearing different masks she has designed as a live exhibit of her work. (Photo by Jane Barlow/PA Images via Getty Images)

“The series of photos called Workwears, by French photographer Bruno Fert, visually juxtaposes people’s private lives with their lives at work. A firefighter, a fisherman, a nurse, a diver, a judge. One by one, Fert’s photos show people in their homes wearing everyday clothing – followed by another photo showing them dressed in the clothing of their chosen professions. Our reaction, Fert said, reminds us how tightly humans hold on to certain stereotypes about some professions. “I like to break those stereotypes”, he said”. – Thom Patterson via CNN. Here: Lola is seen at left in everyday clothes – and then at right in her work clothes. She works as a clown in Paris. (Photo by Bruno Fert/Picturetank)

It is amazing how much the humanity can change the face of the earth. Not only can it create huge craters, which look a lot like craters from meteors, they leave a big enough impact that it can be seen from space. Though this crater, caused by a massive explosion on 1 July 1916, looks large, being 90 feet deep and 300 feet across; it is nowhere big enough to be viewed for space. A common misconception is that the Great Wall of China can be seen from space. In reality, however, it is impossible. Not only is it of the same color as the earth near it, it is also not that wide. Deforestation, on the other hand, can be clearly seen from space. Also, at night, all the lights that the large cities produce are also very visible.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.