A cat wering glasses lies in a pet dryer at the “Pet Expo Championship” in Bangkok, Thailand on August 30, 2019. (Photo by Mladen Antonov/AFP Photo)

An x-ray of a woman drinking, taken by British artist and photographer Hugh Turvey in London, England. (Photo by Hugh Turvey/SPL/Barcroft Media)

Naked Sushi event where people eat sushi from the bodies of nearly naked models at Buddha Bar, Knightsbridge in London, United Kingdom. (Photo by Alamy Stock Photo)

These hyper realistic drawings are so lifelike they could pass for photographs. The incredibly detailed works of art were created by self-taught artist Ivan Hoo, from Singapore, who earns a living from his realistic drawings and paintings. The 31-year-old takes up to three days to complete the impressive pieces, which include animal portraits and still life drawings of everyday items such as a Starbucks cup. The A3 sketches are completed using a range of soft pastel pencils and are drawn from still life, or a photograph taken by Ivan himself. Here: Ivan Hoos drawing of a pug. (Photo by Ivan Hoo/Caters News)

A group of children and their dog playing an Easter game in Cardiff. The game involves trying to eat an Easter egg off a piece of string without using their hands. (Photo by Richards/Fox Photos/Getty Images). 26th March 1937

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Alpine driver Pierre Gasly of France slides off the track during a qualifying session at the Formula One Las Vegas Grand Prix auto race, Friday, November 21, 2025 in Las Vegas. (Photo by Nick Didlick/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.