Pedra da Gavea highline, 850 meters above the city, 100 meters direct exposure, March 24, 2013. Brian Mosbaugh on the line. Carefully tiptoeing almost 3000 metres above Rio de Janeiro on a thin wire got a bit too much for this adrenaline junkie – so he decided to have a LIE DOWN. Fearless Brian Mosbaugh is so used to the perilous heights he decided he deserved a short break and proceeded to kick back and relax over the famous Brazilian city. (Photo by Scott Rogers/Caters)

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A kite is flown at a park during the ancient annual public picnic day, called Sizdeh Bedar, on the 13th and last day of Nowruz, the Iranian New Year holiday, in Tehran, Iran, Wednesday, April 2, 2025. (Photo by Vahid Salemi/AP Photo)

A conscript hugs a girl as he says goodbye to family members at a local railway station during departure for the garrisons, in Sevastopol, Crimea on November 9, 2022. (Photo by Alexey Pavlishak/Reuters)

People help a wounded man following an Israel airstrike in central Tehran, Iran, 15 June 2025. Israel and Iran have been exchanging fire since Israel attacked Iran on 13 June 2025 as part of operation “Rising Lion”. (Photo by Majid Khahi/EPA/EFE)

People paly with fireworks during Parrandas de Camajuani, Cuba on March 22, 2025. Two neighborhoods of the city, San Jose, represented by a toad, and Santa Teresa, represented by a goat, fight with carnival shows that involve the whole town in a party with bands, huge floats and fireworks. The Parrandas de Camajuani with more than 130 years, are recognized as Intangible Cultural Heritage of Humanity since 2018. (Photo by Yamil Lage/AFP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.