A worker puts the final touch to a replica of a giant eagle and pharaons made with lemons and oranges which shows a scene of the movie “Cleopatra” during the Lemon festival in Menton, southern France, February 10, 2016. Some 140 metric tons of lemons and oranges are used to make displays during the 83rd festival, which is themed “Cinecitta”, and runs from February 13 through March 2. (Photo by Eric Gaillard/Reuters)

A visitor poses inside a three story upside-down family sized house at the Huashan Creative Park in Taipei, Taiwan April 7, 2016. Over 300 square meters of floor space of the upside-down house, filled with home furnishings, was created by a group of Taiwanese architects at a total cost of around US$600,000 and took 2 months to complete, according to the organisers. (Photo by Tyrone Siu/Reuters)

This is the stunning body of work by a talented painter – who transforms humans into amazing animals. From alligators to foxes and even owls, artist Shannon Holt, 39, paints every little detail on models to turn them into wildlife. The incredible paintings, which take anywhere between six to 12.5 hours to complete, are part of her Florida Wildlife Series. Shannon, from DeLand, Florida, previously worked on different surfaces such as glass, metals and wood. But the animal advocate decided to experiment with human canvasses and incorporate animals in her work. Here: Red Fox. (Photo by Ryder Gledhill/Shannon Holt/Caters News)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

In this photo distributed by the Israeli Defense Forces (IDF) May 23, 2005, woman soldiers wear branches in their helmets as their infantry instructors' course learns about camouflage during the field craft week of their training May 19, 2005 at an army base near Beersheva in Israel's southern desert. It takes the IDF more than 2 months to teach these 18-year-old female recruits the basic arts of warfare before they assigned to pass on their newly-acquired skills to the army's male and female draftees. (Photo by Abir Sultan/IDF via Getty Images)

South Korean bee farmer Ahn Sang-Kyu protests Japan's claim of sovereignty over disputed islets May 2, 2006 in Seoul, South Korea. Ahn, a local bee farmer, released over 140,000 bees and attracted them to his body to protest Japan's sovereignty claims over a tiny group of islands located off the east coast of South Korea, called the Dokdo islets by the Koreans and Takeshima by the Japanese. The volcanic islets located about 90 kilometres east of South Korea's Ullung Island, have been a source of diplomatic friction between South Korea and Japan for years. (Photo by Chung Sung-Jun/Getty Images)

Anti-nuclear activists demonstrate during a “Say to Goodbye to Nuclear Energy” protest on September 11, 2011 in Kobe, Japan. Japan is marking sixth months since a magnitude 9.0 earthquake struck Japan offshore on March 11 at 2:46pm local time, triggering a tsunami wave of up to ten metres which engulfed large parts of north-eastern Japan and also damaged the Fukushima nuclear plant, causing the worst nuclear crisis in decades. The current number of dead and missing is reportedly estimated to be 22,900. (Photo by Buddhika Weerasinghe/Getty Images)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)