The 29-year-old English actress Kimberley Garner is seen in Cannes, France on May 20, 2019. (Photo by The Mega Agency)

Chrissy Teigen and daughter Luna Stephens seen on the streets of Manhattan on June 24, 2019 in New York City. (Photo by James Devaney/GC Images)

Male and female bodybuilders prepare backstage to compete during the Asia Pacific Bodybuilding Championships 2019 in Bangkok, Thailand, 17 August 2019. Hundreds of bodybuilders from Asia Pacific countries are set to flex their muscles to compete in the contest. (Photo by Rungroj Yongrit/EPA/EFE)

Cars drive under a rainbow near Bad Langensalza, Germany, Wednesday, November 2, 2016. (Photo by Jens Meyer/AP Photo)

A Femen activist is led away by French police in Henin-beaumont, northern France, Sunday, May 7, 2017. Voters across France are choosing a new president in an unusually tense and important election that could decide Europe's future, making a stark choice between pro-business progressive candidate Emmanuel Macron and far-right populist Marine Le Pen. (Photo by Francois Mori/AP Photo)

The Pink Floyd inflatable pig floats next to Broadcasting House to promote their new exhibition at the V&A museum, in London, Britain May 10, 2017. (Photo by Neil Hall/Reuters)

Members of the Royal Navy respond to a simulated fire in a Vanguard-class submarine control room training facility at Clyde naval base in Faslane, Scotland on January 21, 2016. (Photo by Photograph: Danny Lawson/PA Wire)

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)