The legendary US photographer’s favourite shots of creatures and how they interact with humans feature in “Animals”, his latest book. Here: A boy rests against a cow, Kathmandu, Nepal, 2013. “Cows have been designated the national animal in Nepal. They roam freely, and are considered sacred by the 80% of Nepalis who are Hindu”. (Photo by Steve McCurry/The Guardian)

A British policewoman chasing after a group of naked street boys by the Serpentine in Hyde Park, London. (Photo by Reg Speller/Getty Images). 1926

A three-metre-tall painted bronze sculpture, Seated Man 2016, by the artist Sean Henry, is lifted into its new home on July 23, 2019 at Yorkshire Sculpture Park in Wakefield, England. (Photo by Christopher Thomond/The Guardian)

A Hezbollah supporter fires a rocket-propelled grenade in the air to celebrate the arrival of Iranian fuel tankers to Lebanon, in the eastern town of Baalbek, Lebanon, Thursday, September 16, 2021. The delivery violates US sanctions imposed on Tehran after former President Donald Trump pulled America out of a nuclear deal between Iran and world powers three years ago. (Photo by Bilal Hussein/AP Photo)

This dyed straw is grown in Ban Dong Saen Suk, Sakon Nakhon province, Thailand on September 28, 2021. Sarawut Intharap, 38, an engineer who capture the image, said: “The straw is entwined together to make mats used for sleeping and eating and they are sold at around £2.50 (3.40 USD) a mat at the local market”. (Photo by Sarawut Intarob/Solent News)

Egyptians members of the “Tanoura Dance Troupe” perform during the holy month of Ramadan, at the Ghouri complex, in Islamic Cairo, Egypt, 13 April 2022. (Photo by Khaled Elfiqi/EPA/EFE)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)