Iceland foals stand together at a stud farm in Wehrheim near Frankfurt, Germany, Friday, July 15, 2022. (Photo by Michael Probst/AP Photo)

A fox stands along a street in the Central London, Wednesday, March. 1, 2023. (Photo by Kin Cheung/AP Photo)

A man stands next to a horsecart laden with oil drums on a street in Lahore on September 27, 2020. (Photo by Arif Ali/AFP Photo)

People wearing mushroom hats stand in front of the Washington Monument in Washington, D.C., U.S., May 14, 2021. (Photo by Andrew Kelly/Reuters)

A farmer stands near pumpkins on display on the side of a road near Sanaa, Yemen on February 15, 2025. (Photo by Khaled Abdullah/Reuters)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

“As you can see I love the Icelandic Horse. Born and raised with them, I love to work with them and watch them ... they have unbelievable network of communication and energy I can´t explain with words”. – Gigja Einarsdottir. Photo: “Runners”. (Photo by Gigja Einarsdottir)