Britain's Emma Raducanu attends a practice session ahead of the Australian Open tennis tournament in Melbourne on January 13, 2022. (Photo by Mike Frey/AFP Photo)

A Filipino Catholic performing self-flagellation lies on the ground with his bloodied back outside a church on Good Friday, defying a government ban on religious gatherings amid rising coronavirus disease (COVID-19) cases, in Manila, Philippines, April 2, 2021. (Photo by Eloisa Lopez/Reuters)

A robot, developed by start-up firm Asimov Robotics, holds a tray with face masks and sanitizer after the two robots were launched to spread awareness about the coronavirus, in Kochi, India, March 17, 2020. (Photo by Sivaram V/Reuters)

People smear black ash with hands onto each other to wish for good luck and fortune during a traditional festival of the Yi ethnic minority in Qiubei County, Yunnan province, China July 18, 2017. (Photo by Ren Dong/Reuters/CNS)

Actors Rooney Mara, left, and Joaquin Phoenix arrive at the premiere of “Joker: Folie a Deux” on Monday, September 30, 2024, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP Photo)

Women walk next to soldiers in Surcubamba, Peru, Thursday, May 21, 2015. The Joint Command of the Peruvian Armed Forces organized a humanitarian mission to Surcubamba, where health care was provided to families from nearby villages in this region called VRAEM, the acronym for Valley of the Apurimac, Ene and Mantaro rivers, where sixty percent of Peru's cocaine originates. (Photo by Rodrigo Abd/AP Photo)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)