John Malkovich as Marilyn Monroe in a re-creation of Andy Warhol's 1962 painting. The image is a part of the series, “The Malkovich Sessions”, by photographer Sandro Miller and on display at the Catherine Edelman Gallery in Chicago. Miller wanted to pay homage to the artists who influence his photographic career, and approached Malkovich with the idea of re-creating the famous portraits. (Photo by Sandro Miller/Catherine Edelman Gallery)

Caras Ionut is a Romanian Photo Manipulation Photographer and “Photo Mechanic”

A picture made available on 20 October 2015 shows a foreign tourist posing for a souvenir photograph with a figure of a tiger head at a private zoo on Phuket Island, Thailand, 17 October 2015. Each day hundreds of tourists, including young children, visit the private tiger zoo where visitors are allowed to touch and pose for photographs with unchained tigers inside their enclosures. (Photo by Rungroj Yongrit/EPA)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Two horses appear to burst into laughter before a sweet embrace. The horses both turn their head to look at the camera and flash their teeth, treating the lucky photographer to a rare shot. Moments later the pair show their affectionate side by coming together and “hugging”. Photographer Nir Amos, 34, said he was “amazed” to capture the horses “laughing” in a field near Skógar, in the south east of Iceland on July 31, 2018. (Photo by Nir Amos/Solent News & Photo Agency)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.