A woman is led aside as her partner is detained by Ukrainian security forces for being aggressive at an army checkpoint in the southeastern port city of Mariupol, on May 11, 2014. Residents’ attitudes appear to have hardened considerably with the deaths of dozens of pro-Russian activists in the city of Odessa this month and with reports that troops fired at a crowd in Mariupol last week. (Photo by Marko Djurica/Reuters)

A wounded Afghan policeman is carried away from the site of an explosion in Kabul May 24, 2013. Several large explosions rocked a busy area in the centre of the Afghan capital, Kabul, on Friday with Reuters witnesses describing shooting in the area. (Photo by Omar Sobhani/Reuters)

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A man stands beside the Philippine flag as colorful umbrellas adorn a village hall in suburban San Juan, east of Manila, Philippines, on June 27, 2013. (Photo by Aaron Favila/Associated Press)

Filipino boys play basketball at an improvised court hooked on multi-layered tombs at a public cemetery in Navotas, north of Manila, Philippines on Thursday Oct. 31, 2013. Filipinos are expected to flock to cemeteries on November 1 to remember their dead as they observe All Saints Day in this predominantly Roman Catholic country. (Photo by Aaron Favila/AP Photo)

Chris Hondros, a Getty Images photographer, was fatally wounded on April 20, 2011, in a mortar attack by government forces while covering the civil war in Libya. Hondros' work is woven in our history as he covered everything from politics to marathons. A new film will focus on his life as told through his images. Here's a look at some of his finest and final work. Some of these images are graphic in nature

Members of the Royal Navy respond to a simulated fire in a Vanguard-class submarine control room training facility at Clyde naval base in Faslane, Scotland on January 21, 2016. (Photo by Photograph: Danny Lawson/PA Wire)

The sculpture “It Takes Two to Tango” by Scottish sculptor David Mach is seen in front of the headquarters of the CMA-CGM shipping company office tower in the port of Marseille, France, March 15, 2016. (Photo by Jean-Paul Pelissier/Reuters)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)