A couple of roving film fangirls have recreated some of their favorite TV and movie moments by traveling to the exact locations and capturing them using their iPad. Tiia Öhman and Satu Walden have travelled thousands of miles across North America and Ireland to recapture the magic of their best loved scenes. However, instead of featuring their movie heroes, the pair, from Cardiff, have replaced them with an iPad or a phone screen displaying the action. Here: a scene from the film Die Hard With A Vengeance, and its location in real life 72nd Street Subway, New York. (Photo by Tiia Öhman/Caters News)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

Glamour model and actress Sabrina seated on the knee of Arthur Askey. (Photo by Keystone/Getty Images). 1955

NHRA top fuel driver Kyle Wurtzel explodes an engine on fire during qualifying for the E3 Spark Plugs Nationals at Lucas Oil Raceway. in Clermont, Indiana on July 11, 2020. (Photo by Mark J. Rebilas/USA TODAY Sports)

Warriors from the Suri tribe in Ethiopia still stage the savage “Donga” battles – even after many fighters have been died from their injuries. Donga stick fights take place after the harvests, the Surmas count days owing to knots on a long stem of grass or jags on the trunk of a tree dedicated to that specific use. Here: A tribeswoman sporting a huge lip plate and wearing a skinned animal carcass on her head. (Photo by Eric Lafforgue/Exclusivepix Media)

Gloria Grahame in state of undress in a scene from the film “Naked Alibi”, 1954. (Photo by Universal/Getty Images)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.