A tattoo artist applying ink on a girl's thigh at the 2016 Italian Tattoo Artists at the Palavela on September 17, 2016 in Turin, Italy. (Photo by Stefano Guidi/ZUMA Press/Splash News)

Gigi Hadid attends “Rei Kawakubo/Comme des Garcons: Art Of The In-Between” Costume Institute Gala – Arrivals at Metropolitan Museum of Art on May 1, 2017 in New York City. (Photo by Carlo Allegri/Reuters)

Students training to be flight attendants hold books on their heads, chopsticks in their mouths, and papers in between their knees, as they take part in a standing posture practice at a vocational school in Shijiazhuang, Hebei province, China May 4, 2017. (Photo by Reuters/Stringer)

A spectator cools herself at a water spraying fan at the Australian Open tennis championships in Melbourne, Australia, Tuesday, January 17, 2017. (Photo by Kin Cheung/AP Photo)

South Korean rescue members wearing chemical protective suits walk past a monster character (R) during an anti-terror drill as part of a disaster management exercise at the COEX shopping and exhibition center in Seoul on May 20, 2016. South Korea is holding its 2016 Safe Korea anti-disaster exercise this week against terrorist threats and natural disasters. (Photo by Jung Yeon-Je/AFP Photo)

The artist Luke Egan, also known as Filthy Luker, gets Horrible Harvey, his inflatable monster on October 26, 2022, pumped up for his debut at the annual Halloween in the City celebrations in Manchester, United Kingdom this weekend. (Photo by Dominic Lipinski/PA Wire Press Association via Getty Images)

Protesting university students flee as police fire stun grenades outside Parliament in Cape Town, South Africa, Wednesday October 21, 2015. The protests are part of a wave of nationwide protests that have shut down many South Africa universities, which say they are struggling with higher operational costs as well as inadequate state subsidies. (Photo by AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)