“Banksy is an pseudonymous England based graffiti artist, political activist, film director and painter. His satirical street art and subversive epigrams combine irreverent dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world”. – Wikipedia

Photo: A Bristol Museum employee adjusts one of the latest suprise exhibits by the underground guerrilla artist, Banksy on June 12 2009 in Bristol, England. The exhibition called “Banksy versus Bristol Museum” is one of the largest single collections of the artist works and was organised under tight security and installed in just 36hrs with only a handful of museum staff aware it was even happening. Banksy, whose real identity remains a mystery, is said to hail from the Bristol area, and claims that hosting the exhibition in the city is his way of thanking the city for his early street art career. (Photo by Matt Cardy/Getty Images)

“HA Schult, born Hans-Jürgen Schult on June 24, 1939 in Parchim, Mecklenburg is a German installation, happening and conceptual artist known primarily for his object and performance art and more specifically his work with garbage”. – Wikipedia

Photo: German artist Ha Schult stands with his “trash people” below the pyramids May 15, 2002 in Giza, Egypt. Inspired by the statues of the terracotta army of Chinese Emperor Quin Shi Huangdi (247–206 B.C.), the thousand piece sulpture has stood in Red Square in Moscow, La Defense in Paris and the Great Wall in China. Schult, born in 1939 wants to bring the “trash war” to the world's attention beause trash is the greatest battle facing mankind. (Photo by Norbert Schiller/Getty Images)

A gory fight to the death between snarling dogs and captured wild boars. Gathered around a bamboo-walled arena, Indonesians in this remote part of Java island seem eager to watch the blood-curdling contests, known locally as “adu bagong” (boar fighting). Not surprisingly, animal rights activists are up in arms against the regular spectacle, which began in the 1960s when wild pig numbers in this area in West Java soared and they were hunted to protect crops. Here: Women share a joke as they walk to a paddy field in Cikawao village of Majalaya, West Java province, Indonesia, October 12, 2017. (Photo by Reuters/Beawiharta)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List

A man holds on a rope as he tries to board a truck while crossing floodwaters brought by typhoon Koppu that battered Candaba town, Pampanga province, north of Manila October 20, 2015. Typhoon Koppu swept across the northern Philippines killing at least nine people as trees, power lines and walls were toppled and flood waters spread far from riverbeds, but tens of thousands of people were evacuated in time. (Photo by Romeo Ranoco/Reuters)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

A visitor views the work of artists Gonzalo Duran and Cheri Pann at their Mosaic Tile House in Venice, California U.S., August 26, 2016. With an array of thrift store china, humorous souvenirs and handmade tile adorning its walls and floors, the Mosaic Tile House in Venice stands as a monument to two decades of artistic collaboration between Cheri Pann and husband Gonzalo Duran. (Photo by Mario Anzuoni/Reuters)