Revellers take part in the Notting Hill Carnival in London, Britain on August 27, 2018. The carnival has been held every year since 1966 and one of the largest festival celebrations of its kind in Europe. (Photo by Henry Nicholls/Reuters)

A villager pours pesticide from a bucket as Mount Sinabung spews ash at Kebayaken village in Karo district, Indonesia's North Sumatra province, on December 4, 2013. The country has ordered the evacuation of 15,000 residents near the active volcano. (Photo by Roni Bintang/Reuters)

Female Afghan National Police (ANP) officers aim their weapons during a drill at a training centre near the German Bundeswehr army camp Marmal in Mazar-e-Sharif, northern Afghanistan on December 11, 2012. (Photo by Fabrizio Bensch/Reuters/File Photo)

Women walk past a pile of rubbish bags on a street during a strike by garbage collectors demanding delayed salaries in Sanaa, Yemen May 8, 2017. (Photo by Khaled Abdullah/Reuters)

The Eastern City Gate apartment buildings complex stands in the Konjarnik neighbourhood in Belgrade, Serbia, July 30, 2019. Brutalism, an architectural style popular in the 1950s and 1960s, based on crude, block-like forms cast from concrete was popular throughout the eastern bloc. (Photo by Marko Djurica/Reuters)

Women in Pathein, Myanmar, construct in the last decade of August 2024 parasols that they will paint in vibrant colours to sell in nearby markets. (Photo by Nantapon Pattamakijsakul/Solent News)

A diesel locomotive has ended up in the river Venoge on March 8, 2013 near Penthalaz, Western Switzerland. The freight locomotive derailed near Cossonez railway station with its driver slightly injured. (Photo by Fabrice Coffrini/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)