Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.

This barking set of images takes the saying “dogs look like their owners” to the ultimate conclusion. Photographer Sebastian Magnani, 28, has cleverly spliced the features of four-legged friends with the head and shoulders of their owners. In a series called “Underdogs”, the Swiss photographer shot the owners and their respective pets in the same portrait style. Then he used expert photo-manipulation techniques to seamlessly transplant the canine faces onto the human bodies. (Photo by Sebastian Magnani)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

A death mask thought to be that of English dramatist William Shakespeare (1566–1616). Found by Dr. Ludwig Becker in Mainz in 1849, the mask was linked to Shakespeare because of its 1616 date and its supposed facial resemblance to the writer. A rival theory, however, maintains that the mask is more likely to be that of English poet Ben Johnson. (Photo by Hulton Archive/Getty Images). Circa 1900

Low economic conditions in China’s urban areas have sparked an increase of beggars faking disabilities in an attempt to gain more money. Cities like Shanghai and Hong Kong are littered with naive tourists who are more than willing to hand over a few yen to anyone appearing to be handicapped in anyway.

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

These images are enough to make viewers do a double-take. Although they look like vibrant works of abstract art, they are actually drone photographs taken by brothers J.P. and Mike Andrews, from near Wolverhampton, England. Here: Kickflip. (Photo by J.P. Andrews/Mike Andrews/Caters News Agency)