Chinese women wear protective masks as they are dressed in traditional clothing from the Qing Dynasty era outside a park on March 29, 2020 in Beijing, China. A limited section of the iconic tourist site was re-opened to the public this week allowing a smaller number of visitors to reserve tickets online in advance and to enter after passing health screening. (Photo by Kevin Frayer/Getty Images)

Filipino villagers escape to a safe area as the Mayon Volcano erupts anew in the town of Daraga, Albay province, Philippines, 23 January 2018. The Philippine Institute of Volcanology and Seismology (PHIVOLCS) agency on 22 January raised the alert level for the Mayon Volcano amid fears of a bigger eruption over the next few hours or days. (Photo by Francis R. Malasig/EPA/EFE)

Jazmin, 6, sister of Jose Luis, receives Isoniazid Preventive Therapy in Carabayllo in Lima, Peru July 14, 2016. At least 30,000 Peruvians are infected with tuberculosis, an ancient disease that killed 1.8 million globally last year, more than AIDS-related and malaria deaths combined. Partners in Health, a Boston-based non-profit that works with Peru's health ministry, offers a simple solution. It trains community volunteers to tend to tuberculosis sufferers in their homes – ensuring patients take medicine daily and helping them navigate the public health bureaucracy. (Photo by Mariana Bazo/Reuters)

The fin of a tuna is seen on display in the outer part of the Tsukiji fish market, the Jogai Shijo, in Tokyo January 4, 2015. The famous Tsukiji wholesale fish and seafood market, is scheduled to leave its fabled 80-year-old halls to move into bigger, more modern facilities next year ahead of the 2020 Tokyo Olympics. The outer part of the market, the Jogai Shijo, that caters to the public will stay in its old place, but critics wonder about its chances for survival without the world's biggest fish trading place at its doorsteps. (Photo by Thomas Peter/Reuters)

The carriages have decayed over time, on February 27, 2015, in Purwakarta, Indonesia. Dozens of trains are stacked on top of each other in what looks like a post-apocalyptic world. The old electric trains that travelled in and out of Jakarta, Indonesia, are weathered and decayed over time. The trains were used everyday since the 1980s and carried thousands of people to work. Now the carriages, which were once the lifeblood of public transport in the south-Asian city, have been left to rust among shrubbery. (Photo by HKV/Barcroft Media)

A giant panda cub is pictured in an incubator at the Ya'an Bifengxia Giant Panda Breeding and Research Center in Ya'an city, southwest China's Sichuan province, 21 August 2015. Ten tiny panda cubs made their first public appearance at China's Ya'an Bifengxia Giant Panda Breeding and Research Center in southwestern Sichuan province on Friday (21 August 2015). All of the ten giant pandas were born in 2015. The oldest of them is just two month old, while the youngest one was born a week ago. This marks the first time they were put together as a group since they were born. (Photo by Imaginechina/Splash News)

A group of people wearing full solid-coloured bodysuits walk along a promenade as they take part in a street art performance in Bat Yam, near Tel Aviv, Israel August 29, 2015. Some 40 people participated on Saturday in the performance, initiated by a group of artists called Prizma Ensemble, as part of the city's annual international street art and street theatre festival. The group says the performance deals with concepts of identity and movement in public spaces. (Photo by Amir Cohen/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)