Even if Men in Black 3‘s story turns out to be a complete disaster, at least the makeup special effects will be quality. Photos show that makeup artist guru Rick Baker has once again worked his magic, and there are going to be more fun aliens this time around. The set photos also show that, as expected, Jemaine Clement‘s villain has some creepy peepers hiding behind his aviator sunglasses. Men in Black 3 opens in 3D on May 25th. (Photo by Stark Industries)

Photographer Wes Naman has created portraits of his friends using Scotch Tape to distort their features. The results are similar to Scottish artist Douglas Gordon's 1997 work, Monster, but Wes says he originally got the idea after applying tape to himself to test a lighting rig set-up. Wes Naman has been a self taught photographer of ten years before graduating from commercial photography in his home in North Carolina. (Photo by Wes Naman/Rex Features)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

A UFO enthusiast who found himself locked in the iconic Roswell museum has shared the pictures he took with aliens to pass the time. Chris Burton, from the U.K., had dreamed of visiting Roswell, N.M., since he was a child but was stunned when he found himself locked in the International UFO Museum and Research Center during a recent trip. The 42-year-old used the unique opportunity to get interactive with the usually out of bounds exhibits and set up some funny snaps with the extraterrestrials – posing for a beer with one alien and taking a nap with another. (Photo by Chris Burton/Caters News Agency)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

A woman on a bicycle rides past the remains of an Audi sedan set afire by an arsonist recently in Zehlendorf district in a street where two more cars were torched on August 23, 2011 in Berlin, Germany. Police have so far made no arrests in a series of arson attacks that have destroyed at least 70 cars within the last week and show no signs of abating. In recent years several hundred cars have been torched annually and police suspect left-wing radicals. The recent series of attacks, averaging about 10 a day, has been particularly severe. (Photo by Sean Gallup/Getty Images)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.

A girl rides a broomstick in front of a green screen at the new Harry Potter Studio Tour at Warner Brothers Leavesden Studios on March 23, 2012 in London, England. The studio, which includes the actual sets and special effects departments where the films were created and shot, goes on public display on March 31, 2012. (Photo by Dan Kitwood/Getty Images)