A rainbow forms on water from a spray machine used to suppress coal dust at the Krasnogorsky open pit coal mine, operated by Mechel PJSC, in Mezhdurechensk, Russia, on Monday, July 19, 2021. Russia’s government is betting that coal consumption will continue to rise in big Asian markets like China even as it dries up elsewhere. (Photo by Andrey Rudakov/Bloomberg)

Some 300 girls and women in India still practise open defecation. Over half the country’s population, 800 million people, do not have access to a toilet that meets basic standards. (Photo by Poulomi Basu/WaterAid)

The Mausoleum of the Giants, an immersive solo show of monumental sculptures by the artist Phlegm, is installed at Taylor’s Eye Witness Works in Sheffield, England on March 14, 2019. (Photo by Danny Lawson/PA Wire Press Association)

The Perth-based photographer and journalist Frances Andrijich has travelled the Western Australian coast since the early 90s, capturing clotheslines in all their glory. In her images they take the roles of play equipment, Christmas trees and, in the summer, a homemaker’s dream. Andrijich admits she is hopelessly hung up on clotheslines; her latest book celebrates them under the spotlight of the Australian sun. Here: Vera Germanis hangs out underwear in Frances Andrijich’s grandparents’ backyard. This was the photographer’s first clothesline shot, taken in Midland Junction in 1991. (Photo by Frances Andrijich)

The body of one of several U.S. soldiers who were executed after being captured by North Korean troops just south of Seoul in early July 1950. (Photo by AP Photo)

A Xikrin woman holds her husband's shotgun while he cleans freshly hunted peccary in the river. According to tradition, Xikrin women are not allowed to leave the village while their husbands are out hunting a wife must patiently wait for his return. (Photo and caption by Taylor Weidman)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)