San Zhi, Taiwan is an abandoned vacation resort on the northern coast of Taiwan. It was built in the early 1980s, but construction of the futuristic resort ceased after a series of fatal accidents.
Even though it never opened as a vacation resort, San Zhi can still be toured. The strange pod-like buildings act as a tourist attraction. The colors of the pod-like buildings depend on their location. The buildings in the west are green, in the east pink, in the south blue, and in the north white

Vitaly Gorshkov, a wildlife photographer, captured these animals in their natural habitat. He says that these animals are so hairy that it is difficult to distinguish the front from the back. The oxen aren’t really afraid of humans that is why it is easy to approach them and take pictures.

The snow leopard (Panthera uncia syn. Uncia uncia) is a large cat native to the mountain ranges of Central and South Asia. It is listed as endangered on the IUCN Red List of Threatened Species because as of 2003, the size of the global population was estimated at 4,080-6,590 adults, of which fewer than 2,500 individuals may reproduce in the wild.

The Potala Palace in Lhasa, Tibet Autonomous Region, China, was the chief residence of the Dalai Lama until the 14th Dalai Lama fled to India during the 1959 Tibetan uprising. It is now a museum and UNESCO World Heritage Site.

Undulatus asperatus (or alternately, asperatus) is a cloud formation, proposed in 2009 as a separate cloud classification by the founder of the Cloud Appreciation Society. If successful it will be the first cloud formation added since cirrus intortus in 1951 to the International Cloud Atlas of the World Meteorological Organization. The name translates approximately as “roughened or agitated waves”.

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."