People react as the body of a relative is retrieved from the ruin of a building at an area affected by an earthquake in Mamuju, West Sulawesi, Indonesia, Friday, January 15, 2021. A strong, shallow earthquake shook Indonesia's Sulawesi island just after midnight Friday, toppling homes and buildings, triggering landslides and killing a number of people. (Photo by Yusuf Wahil/AP Photo)

Vanessa Low of Team Australia celebrates after winning gold in the Women’s Long Jump - T63 Final on day 9 of the Tokyo 2020 Paralympic Games at Olympic Stadium on September 02, 2021 in Tokyo, Japan. Low jumped 5.28m to set a new world record. (Photo by Athit Perawongmetha/Reuters)

Cardi B attends the Fanatics Super Bowl Party at College Football Hall of Fame on February 2, 2019 in Atlanta, Georgia. (Photo by Shareif Ziyadat/WireImage)

For most ironing is one of those boring chores we tend to put off doing – but for one teenager ironing has become something of an extreme sport. Kevin Krupitzer, 17, has turned the mundane into the insane by taking his ironing board to the most extraordinary of locations, from the edge of cliff to on board a canoe. The daring teenager travels around his hometown of Gilbert, Arizona in search of the weirdest places to iron. And he has even climbed to the top of a 120ft high rock, dubbed the Totem Pole in Queen Creek Canyon, AZ in pursuit of his bizarre hobby. (Photo by Kevin Krupitzer/Caters News)

Cally Whitham is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and often invites viewers to reflect on our rural beginnings. via Photography Blogs.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.