Loading...
Done
In this photograph taken on December 14, 2016, an Indian craftsman works on unfinished cricket bats in a factory in Meerut, some 70 kms north- east of New Delhi. As Indian factory worker Jitender Singh carves out another big- hitting slab of thick willow he insists MCC proposals to limit the size of cricket bats won' t tame Twenty20 marauders. “I don' t think the thickness matters. It' s more about the balance of the bat and the talent of the batsman”, says Singh, who has made bats for many stars, including South Africa's AB de Villiers. The World Cricket committee of the MCC, the guardians of the game, recommended in December 2016 that limitations be placed on the width and depth of bats because it had become too easy to smash fours and sixes. (Photo by Dominique Faget/AFP Photo)

In this photograph taken on December 14, 2016, an Indian craftsman works on unfinished cricket bats in a factory in Meerut, some 70 kms north- east of New Delhi. (Photo by Dominique Faget/AFP Photo)
Details
11 Jan 2017 14:32:00
A student of the Krasnoyarsk choreographic college prepares backstage before a dress rehearsal of a performance by graduates of the college at the State Theatre of Opera and Ballet in Russia's Siberian city of Krasnoyarsk, Russia, May 12, 2015. The annual performance showcases the work of students from across Russia who study or have studied at the well-known school. (Photo by Ilya Naymushin/Reuters)

A student of the Krasnoyarsk choreographic college prepares backstage before a dress rehearsal of a performance by graduates of the college at the State Theatre of Opera and Ballet in Russia's Siberian city of Krasnoyarsk, Russia, May 12, 2015. The annual performance showcases the work of students from across Russia who study or have studied at the well-known school. (Photo by Ilya Naymushin/Reuters)
Details
14 May 2015 11:58:00
A hand of a labourer pushes bricks at a traditional brick factory in Arab Mesad district of Helwan, northeast of Cairo, May 14, 2015. (Photo by Amr Abdallah Dalsh/Reuters)

A hand of a labourer pushes bricks at a traditional brick factory in Arab Mesad district of Helwan, northeast of Cairo, May 14, 2015. About 45 labourers are employed at the brick factory and most work 10 hours a day. Adult workers earn a daily wage of 70 Egyptian pounds ($9) and child workers earn 40 Egyptian pounds ($5). The labourers, who are usually temporary or seasonally employed in Egypt's brick-making industry, experience unsafe work conditions, according to local media. (Photo by Amr Abdallah Dalsh/Reuters)
Details
19 May 2015 11:37:00
Jesus Moreno, 60, feeds pigeons in downtown Monterrey, Mexico July 7, 2015. For the past 30 years Moreno, who was once homeless, a drug addict, and formerly working as a investigative policeman, has been feeding pigeons twice a day, because to him they represent peace and the only way to communicate to God, local media reported. (Photo by Daniel Becerril/Reuters)

Jesus Moreno, 60, feeds pigeons in downtown Monterrey, Mexico July 7, 2015. For the past 30 years Moreno, who was once homeless, a drug addict, and formerly working as a investigative policeman, has been feeding pigeons twice a day, because to him they represent peace and the only way to communicate to God, local media reported. (Photo by Daniel Becerril/Reuters)
Details
09 Jul 2015 11:59:00
Dancers from the “Legend Lin Dance Theatre” perform the artistic director and choreographer Li-chen Lin's classic works “Hymne aux Fleurs qui Passent, Anthem to the Fading Flowers” during a rehearsal at the National Theater Concert Hall in Taipei, Taiwan, Tuesday, August 18, 2015. “Hymne aux Fleurs Qui Passent” pays tribute to the cycle of the year and the complementary principles of Yin and Yang whose eternal struggle provides the driving force behind the changing of the seasons. (Photo by Chiang Ying-ying/AP Photo)

Dancers from the “Legend Lin Dance Theatre” perform the artistic director and choreographer Li-chen Lin's classic works “Hymne aux Fleurs qui Passent, Anthem to the Fading Flowers” during a rehearsal at the National Theater Concert Hall in Taipei, Taiwan, Tuesday, August 18, 2015. “Hymne aux Fleurs Qui Passent” pays tribute to the cycle of the year and the complementary principles of Yin and Yang whose eternal struggle provides the driving force behind the changing of the seasons. (Photo by Chiang Ying-ying/AP Photo)
Details
19 Aug 2015 12:59:00
Float builder Andrea works on a float which depicts Russia's President Vladimir Putin as warmonger, at the float hall of the Mainz Carnival Association (MCV), in Mainz, Germany, 02 February 2016. The MCV invited journalists to a preview of this year's floats for the upcoming Shrove Monday carnival parade. The main carnival season festivities will happen around Rose Monday on 08 February. (Photo by Fredrik von Erichsen/EPA)

Float builder Andrea works on a float which depicts Russia's President Vladimir Putin as warmonger, at the float hall of the Mainz Carnival Association (MCV), in Mainz, Germany, 02 February 2016. The MCV invited journalists to a preview of this year's floats for the upcoming Shrove Monday carnival parade. The main carnival season festivities will happen around Rose Monday on 08 February. (Photo by Fredrik von Erichsen/EPA)
Details
03 Feb 2016 13:32:00
A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. (Photo by David Mercado/Reuters)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)
Details
22 Apr 2016 12:33:00
«Underwater». Laurie Simmons discovered this silicone s*x doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone s*x dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)
Details
28 Sep 2017 07:38:00