A man stacks more bricks on his head while working at in brickfields Narayanganj near Dhaka, Bangladesh on January 02, 2021. (Photo by Kazi Salahuddin Razu/NurPhoto via Getty Images)

Men work at Makala gold mine camp near the town of Mongbwalu in Ituri province, eastern Democratic Republic of Congo on April 7, 2018. (Photo by Goran Tomasevic/Reuters)

Rescuers work to put out fire outside a damaged residential building hit by recent shelling in the course of Russia-Ukraine conflict in Donetsk, Russian-controlled Ukraine on November 7, 2023. (Photo by Reuters/Stringer)

Surrender by Jenkin Van Zyl, a surreal installation at Fact Liverpool on November 16, 2023 featuring film and sculptural works inside a large inflatable silver rat. (Photo by James Glossop/The Times)

On the July 10, 2025, an elderly couple in Eonam-dong, Jung-gu, Daejeon, who finished their field work, cooled off by sitting on a bench in the yard near the water tap. (Photo by Shin Hyeon-jong)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

“Liu Bolin is an artist born in China’s Shandong province in 1973, and he earned his Bachelor of Fine Arts from the Shandong College of Arts in 1995 and his Master of Fine Arts from the Central Academy of Fine Arts in Beijing in 2001. His work has been exhibited in museums around the world. Also known as “The Invisible Man”, Liu Bolin's most popular works are from his “Hiding in the City” series; photographic works that began as performance art in 2005”. – Wikipedia. (Photo by Reuters/China Daily)

The Smilovichi Felting Factory in Belarus was founded in 1928, when Smilovichi was a small Jewish settlement of craftsmen. Five of those craftsmen organized a small artel (a cooperative association of craftsmen who all live and work together), which produced warm boots called “valenki” for cold weather. Photo: Belarusian workers works at a felt boot factory in Smilovichi, some 35km from Minsk, Belarus, 16 January 2012. (Photo by Tatyana Zenkovich/EPA)