An art installation formed with milk churns, made by land art artist Gerard Benoit a la Guillaume, is seen at the Chenau de Mayen in the resort of Leysin, Switzerland August 7, 2015. More than 80 milk churns were placed between the Tour d'Ai and the Tour de Mayen summits at an altitude of 2,000 meters (6,561 feet) above sea level under the direction of the artist, to be photographed for his ongoing art project entitled “Milk churns without borders”. (Photo by Denis Balibouse/Reuters)

A participant poses with his laptop during the 33rd Chaos Communication Congress on its opening day on December 27, 2016 in Hamburg, Germany. The annual event is bringing together 12,000 computer hackers and activists who will meet over the next four days to share expertise and discuss topics related to the society and the digital world. (Photo by Morris MacMatzen/Getty Images)

Final match Soccer Humanoid Kid Size between DARwIn vs. AUTMan at the World Championship finals of RoboCup 2013 in Eindhoven (NL). (Photo by Bart van Overbeeke)

Model and Kate Moss lookalike, Denise Ohnona debuts a bespoke duvet-inspired dress designed by Travelodge, which they have dubbed “The 24-hour dress”, in London in the second decade of September 2024. (Photo by David Parry/PA Media Assignments)

Kyrgyz men on horseback compete during their traditional game of “Oodarysh” during the celebrations of the 90th anniversary formation of the Chui region in the village of Kuntu some 20 kms from Bishkek on May 27, 2016. (Photo by Vyacheslav Oseledko/AFP Photo)

Juleny Favela – Que Nadie Sepa mi Sufrir. Argentine song from 1936 with Peruvian waltz rhythm by Argentinan guitarist Angel Cabral.

People pour wine at each other during the traditional “Battle of Wine” held as part of the Haro Wine Festival in the La Rioja region in Haro, Spain, 29 June 2016. Every year on 29 June inhabitants and tourists celebrate San Pedro's day by trowing at each other thousands of liters of Riojan wine. (Photo by Abel Alonso/EPA)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)