A Russian soldier takes part in drills at the Kadamovskiy firing range in the Rostov region in southern Russia, Wednesday, December 22, 2021. Russian Foreign Minister Sergey Lavrov says that Russian and U.S. negotiators will sit down for talks early next year to discuss Moscow's demand for Western guarantees precluding NATO's expansion to Ukraine. (Photo by AP Photo/Stringer)

Colombia's goalkeeper #01 Catalina Perez (R) makes a save during the Australia and New Zealand 2023 Women's World Cup Group H football match between Colombia and South Korea at Sydney Football Stadium in Sydney on July 25, 2023. (Photo by Franck Fife/AFP Photo)

Spain's Oscar Husillos (R) passes the baton to Spain's Eva Santidrian (L) in the mixed 4x400m relay heats during the World Athletics Championships at Hayward Field in Eugene, Oregon on July 15, 2022. (Photo by Andrej Isakovic/AFP Photo)

A female jaguar named Ti, by the NGO Jaguar ID, bites an alligator at Encontro das Aguas State Park, in the Pantanal, the largest wetland in the world, in Pocone, Mato Grosso, Brazil, on October 10, 2024. (Photo by Sergio Moraes/Reuters)

Smoke billows from Mt. Etna volcano, as seen from an area near the village of Sant'Alfio, north of Catania, Sicily, southern Italy, Sunday, November 12, 2023. (Photo by Salvatore Allegra/AP Photo)

A member of the Boi Bumba Garantido association performs during the Boi Bumba folklore festival at the Bumbodromo in Parintins, Amazonas State, Brazil, on June 28, 2024. Parintins is well-known internationally for its Boi Bumba folklore festival, which lasts for three days in late June and whose themes, costumes, and songs are based on indigenous cultures of the Amazon rainforest. (Photo by Michael Dantas/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Manuela Vargas at a dress rehearsal for “The Tigress of the Flamenco” given by her company at the Vaudeville Theatre, London. (Photo by Dennis Oulds/Central Press/Getty Images). 4th November 1964