Chris Hondros, a Getty Images photographer, was fatally wounded on April 20, 2011, in a mortar attack by government forces while covering the civil war in Libya. Hondros' work is woven in our history as he covered everything from politics to marathons. A new film will focus on his life as told through his images. Here's a look at some of his finest and final work. Some of these images are graphic in nature

Members of the Indian Border Security Force (BSF) demonstrate their skills on motor-bikes during the BSF Golden Jubilee Day celebration in New Delhi on December 1, 2015. (Photo by Money Sharma/AFP Photo)

On Set with David Bowie and Tilda Swinton. A photo taken by Director Floria Sigismondi on set of The Stars (Are Out Tonight), featuring Tilda Swinton.

These stunning sand sculptures are being used to encourage youngsters to explore their surroundings and play in the dirt. (Photo by OMO Lowe)

The kinetic sculptures created by Anthony Howe are nothing short of a miracle. You simply cannot wrap your mind around the fact that these creations are real. The magic comes from the fact that all the creations of Anthony Howe were first digitally modeled and only then wrought from metal. The resulting pieces of art are mystifying, entrancing, and sometimes even terrifying. For example, one of the earlier creations of Howe is an installation called “About Face”. It is a human face, pieces of which move from side to side, even if there is just a gentle breeze. However, most of his creations are mesmerizing, capturing your mind, as you marvel at their intricacy.

The Photographers 2015 runs from 25 November to 23 December at Osborne Samuel and Beetles+Huxley, London. Here: Untitled, 1950, by Bert Hardy. (Photo by Bert Hardy/Beetles+Huxley & Osborne Samuel)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)