A giant sculpture of a seven-month-old baby by artist Marc Quinn entitled “Planet” contrasts against the stately grandeur of Chatsworth House and the Derbyshire countryside on 4 September, 2008, Chatsworth, England. The bronze sculpture painted white is part of the Beyond Limits exhibition of modern and contemporary sculpture displayed in the gardens of Chatsworth by Sotherby's. More than 20 works will be on display from 9 September to 2 November 2008. In past years acclaimed artists Damien Hirst, Antony Gormley, Salvador Dali and Henry Moore have had work exhibited. (Photo by Christopher Furlong/Getty Images)

The artwork of Giant Horse Aboriginal rock art galleries in the Quinkan Country is seen on June 19, 2011 in Laura, Australia. The ancient aboriginal rock art in this region is some of the largest and oldest in the world, dating back over 15,000 years. Paintings, stencil art and engravings cover thelands traditionally home to the Kuku, Yalanji, Guugu Yimithirr and Kuku Thaypan people. As a UNESCO-identified top 10 rock art site in the world, international travelers visit the area to learn and understand the aboriginal culture through the artwork. (Photo by Mark Kolbe/Getty Images)

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)

Korean artist Hyungkoo Lee has created a series (Homo Animatus) of works featuring skeletal representations of familiar cartoon characters. He uses resin, aluminum sticks, stainless steel wires, springs, and oil paint. If you look closely, you will see the bones of our favorite childhood friends like Canis Latrans Animatus (Wile E. Coyote), Geococcyx Animatus (Roadrunner), Lepus Animatus (Bugs Bunny), Felis Catus Animatus (Tom), Mus Animatus (Jerry), Anas Animatus (Donald Duck) and his three nephews, Animatus H, D and L ( Huey, Dewey and Louie)

The Art Car Parade is the highlight of a three-day celebration of the drive to create: Art Car Weekend. But it all began with a donated 1967 Ford staton wagon and $800 worth of paint and plastic fruit. And now, 26 years later, it attracts 250+ vehicles (and other entries) from 23 states, Canada, and Mexico. Photo: An art car is seen on Allen Parkway during the 26th Annual Houston Art Car Parade on May 11 in Houston, Texas. (Photo by Scott Halleran)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.