Engineer Mikhail Venin works on an antenna for the Express AM8 new generation geostationary telecommunications heavy satellite at the large-sized transformed mechanical systems centre of the Reshetnev Information Satellite Systems company in the Siberian town of Zheleznogorsk April 2, 2014. The Express AM6 is a new generation satellite providing services including Russian governmental and presidential mobile communication, digital television and broadcasting, according to the Reshetnev company representatives. (Photo by Ilya Naymushin/Reuters)

A woman walks behind the installation “Wandering boy is forever attractive” (1985) by Tetsumi Kudo during the press preview at the exhibition “Tetsumi Kudo – Retrospective” in the Fridericianum in Kassel, Germany, Friday, September 23, 2016. The exhibition offers an in-depth, comprehensive view of works by the Japanese artist Kudo. It starts on Sept. 25, 2016 and lasts until Jan. 1, 2017. (Photo by Jens Meyer/AP Photo)

Mikhail Vasilenko, a participant from the Siberian town of Nizhny Tagil, works on an ice sculpture called “The Predator”, on the last day of the annual international festival of snow and ice sculptures “The Magical Ice of Siberia”, with the air temperature at about minus 28 degrees Celsius (minus 18.4 degrees Fahrenheit), in Krasnoyarsk, Russia, January 17, 2016. (Photo by Ilya Naymushin/Reuters)

Float builder Andrea works on a float which depicts Russia's President Vladimir Putin as warmonger, at the float hall of the Mainz Carnival Association (MCV), in Mainz, Germany, 02 February 2016. The MCV invited journalists to a preview of this year's floats for the upcoming Shrove Monday carnival parade. The main carnival season festivities will happen around Rose Monday on 08 February. (Photo by Fredrik von Erichsen/EPA)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

In this photograph taken on December 14, 2016, an Indian craftsman works on unfinished cricket bats in a factory in Meerut, some 70 kms north- east of New Delhi. (Photo by Dominique Faget/AFP Photo)

A light installation called “Run Beyond” by Angelo Bonello is seen on the launch day of the Light Festival at Battersea Power station on January 13, 2022 in London, England. Running from January 13 to February 27, the curated collection of installations includes work by six artists, with two displays making their UK exhibition debut. (Photo by Leon Neal/Getty Images)

April Haze, a San Jose-based stripper, teaches a pole dance class to her students at Revel Room Studios in Milpitas, California, April 15, 2021. As some of the United States' estimated 3,821 strip clubs start to open up again, women who work as strippers are confronting a transformed industry. Revenue in the industry is estimated to have decreased 17.4% in 2020 and is forecast to fall another 1.5% this year, according to research by IBISWorld. (Photo by Brittany Hosea-Small/Reuters)