A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

Tourists pose with pigeons in the flooded St. Mark's Square in Venice, on November 7, 2014. The high water, a combination of high tides and a strong Scirocco wind in the Adriatic Sea, stood at 110 centimeters early on November 7. The city has for years been wrestling with the problems posed by the threat of rising sea levels. (Photo by Olivier Morin/AFP Photo)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

A man dressed up as a "Catrin", a Mexican character also known as "The Elegant Death", is pictured during a Catrinas parade in Mexico City October 31, 2015. (Photo by Carlos Jasso/Reuters)

A visitor passes behind the sculpture “Puma-Dentist” made with plastic, wax and original heads of a puma and a hind by Austrian artist Deborah Sengl during an exhibition at the art gallery Deschler in Berlin April 15, 2008. (Photo by Fabrizio Bensch/Reuters)

A woman wearing a kimono performs an uchimizu ritual outside a pachinko game parlor in Tokyo June 30, 2015. The splashing of water onto the hot asphalt in summer is an old Japanese tradition meant to cool down the air as the water evaporates. (Photo by Thomas Peter/Reuters)

TV host/blogger Louise Roe attends The Weinstein Company's Academy Awards viewing and after party in partnership with Grey Goose at TAO Los Angeles at TAO Hollywood on February 26, 2017 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for The Weinstein Company)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)