Ender Moreno looks for gold at La Culebra gold mine in El Callao, Bolivar state, southeastern Venezuela on March 1, 2017. Although life in the mines of eastern Venezuela is hard and dangerous, tens of thousands from all over the country head for the mines daily in overcrowded trucks, pushed by the rise in gold prices and by the severe economic crisis affecting the country, aggravated recently by the drop in oil prices. (Photo by Juan Barreto/AFP Photo)

An AH-64D Apache attack helicopter flies in front of a wall of fire during the South Carolina National Guard Air and Ground Expo at McEntire Joint National Guard Base, South Carolina, U.S. on May 6, 2017. (Photo by Jorge Intriago/Reuters/Courtesy Air National Guard)

Women sits outside a go-go dance bar in Pattaya, Thailand March 25, 2017s. (Photo by Jorge Silva/Reuters)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

Worshippers of the Black Christ of Portobelo look at the statue during the annual celebratory pilgrimage in Portobelo, in the province of Colon October 21, 2015. Thousands of devotees gather at the Festival of the Black Christ every year to celebrate Christ's miracles. (Photo by Carlos Jasso/Reuters)

Machu Picchu, Peru. A llama’s-eye view of the legendary Inca settlement at Machu Picchu, isolated high in the Peruvian Andes. (Photo by Jim Turner/National Geographic)

From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

The Photographers 2015 runs from 25 November to 23 December at Osborne Samuel and Beetles+Huxley, London. Here: Untitled, 1950, by Bert Hardy. (Photo by Bert Hardy/Beetles+Huxley & Osborne Samuel)