Leilani Franco has made it into the Guinness Book of World Records for the fastest human backbend walk, traveling in a backbend position a distance of 20 meters (65 ft 7.2 in) in a time of 10.05 seconds. (Photo by PA Wire)

Dancers perform as human sculptures during an exhibition in Hong Kong, China, 26 March 2019. The exhibition entitled “Multisensory Exhibition Urban Playgrounds” shows how Austrian artist Willi Dorner uses urban spaces to interpret the relationship between bodies and objects. (Photo by Jerome Favre/EPA/EFE)

A robin perches on a spade handle in a garden on a rainy day in Lixwm, north Wales. Researchers said this week that when European robins are subjected to human-produced noise, their behaviour changes. (Photo by DGDImages/Alamy Live News)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

A craftsman works on making human anatomy mannequins on April 23, 2014 in Depok, West Java, Indonesia. The mannequins are made from fiberglass and will be used in schools, hospitals and laboratories. (Photo by Nurcholis Anhari Lubis/Getty Images)

Tiffany Noreuil at the Oregon Humane Society in Portland, Oregon, holds feline Hercules, a 20-pound stray whose girth got him stuck in a pet door while trying to plunder some dog food. (Photo by AP Photo)

See also: Large People

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

“Life-size humanoid robot BERTI (Bristol EluMotion Robotic Torso number 1 or RT-1) is a self contained, fully automated Robotic Torso, designed and built by Elumotion to provide a robotic platform based on human anatomy. RT-1 is a highly articulated manipulating platform and includes novel dexterous hands that allow emulation of human gesturing”. – Elumotion.com

Photo: BERTI the robot interacts with a Sony AIBO robot dog at The Science Museum's Antenna Gallery on February 17, 2009 in London. (Photo by Peter Macdiarmid/Getty Images)