Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Jo Jo performs at the Q102 s*xy Singles 2012 the at Hotel Palomar on January 26, 2012 in Philadelphia, Pennsylvania. (Photo by Gilbert Carrasquillo)

Amanda Lepore attends the Moschino x H&M – Front Row at Pier 36 on October 24, 2018 in New York City. (Photo by Mike Coppola/Getty Images)

Woman waking up with two men in her bed. (Photo by Ilbusca/Getty Images/iStockphoto)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)