Sculptures entitled “The Rising Tide” by British sculptor Jason deCaires Taylor are seen beside the River Thames in front of the Houses of Parliament and the London Eye ferris wheel in London, September 3, 2015. The representations of four horses and riders are fully visible at low tide but become immersed underwater twice a day as the Thames rises to reach full tide. The installation will be on display throughout September as part of the annual Totally Thames festival. (Photo by Toby Melville/Reuters)

A woman already appears to be regretting her choice of heels for the day out during the Grand National Festival at Aintree Racecourse on April 8, 2017 in Liverpool, England. (Photo by Alamy Stock Photos)

Tango instructor Fernando Waisberg (R) and Isabella Waisberg (L) pose for a photograph during a Tango lecture session in Taipei, Taiwan, 14 April 2019 (issued 18 April 2019). Taiwan has developed its own Tango, with a strong Japanese influence; the accompanying music features lyrics in Taiwanese and Mandarin, the pace slower and simpler than the original. Taiwanese Tango is now a popular phenomenon among people over 40, and is also a subject little studied inside and outside of the island. (Photo by Ritchie B. Tongo/EPA/EFE)

These Arab recruits line up in a barracks square in the British Mandate of Palestine, on December 28, 1940, for their first drill under a British solider. Some 6,000 Palestinian Arabs signed up with the British Army during the course of World War II. (AP Photo)

The Eiffel Tour-the body language of balance. I came across this group of young adults from Sarajevo, Bosnia, having fun testing their balance two nights ago in on the Esplanade de Trocadero. (Photo and comment by Peter Turnley)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

People watch as an acrobat rides his motorcycle around a circular track at an entertainment park set up outside a shrine in Rawalpindi, Pakistan, on June 19, 2013. (Photo by Muhammed Muheisen/Associated Press)