Professional wrestler Eva Marie attends the Kaleidoscope Ball at 3LABS on May 21, 2016 in Culver City, California. (Photo by Alberto E. Rodriguez/Getty Images)
A biker passes by a pair of mailboxes in the Capitol Hill neighborhood November 6, 2012 in Denver, Colorado. Colorado is considered by most experts to be one of the key battleground state in this year's presidential election. (Photo by Marc Piscotty/AFP Photo)
British actress Iris Law arrives for the screening of the film “Forever Young (Les Amandiers)” at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2022. (Photo by Piroschka Van De Wouw/Reuters)
The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)
Margaux Lange’s Plastic Body Series art jewelry collection utilizes salvaged Barbie doll parts in combination with sterling silver and pigmented resins. The series is a result of Lange’s desire to re-purpose mass produced materials into handmade, wearable art. It is meant to examine and celebrate her own as well as pop culture’s relationship with the icon known simply as: Barbie
Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.
Brain-on-a-chip. Dazzling in green and magenta this image shows the nerve fibres (in green) produced by neural stem cells (in magenta) as they grow on a synthetic gel. Captured by a technique known as confocal microscopy, the image is part of research shedding light on how tinkering with the environment can affect the way in which nerve fibres grow. (Photo by Collin Edington and Iris Lee/Massachusetts Institute of Technology/Wellcome Images)