An Economic Freedom Fighters supporter shows a mock weapons during a demonstration in Pretoria on April 12, 2017 calling for South African President Jacob Zuma to resign. Tens of thousand demonstrators took part in the march to Union Buildings, the official seat of government, which was organised on Zuma's 75th birthday and came after nationwide rallies against the president last week. Zuma's recent sacking of respected finance minister Pravin Gordhan has fanned years of public anger over government corruption scandals, record unemployment and slowing economic growth. (Photo by Marco Longari/AFP Photo)

A heifer, tied with a rope, turns during “Toro de Cuerda” in the white village of Villaluenga del Rosario, southern Spain September 3, 2016. Dazzling clusters of cube-shaped houses perched on top of Andalusia's olive tree-studded mountains, the “Pueblos Blancos”, or white villages, of southern Spain are named for the lime wash the buildings are painted with to keep the interiors cool. The labyrinths of narrow alleyways are a throwback to when this region was known as Al-Andalus and was part of a medieval Muslim territory. While this region is stunningly beautiful and a big draw to tourists visiting the south of Spain, it is also one of the poorest areas in the country and has one of the highest unemployment rates in the European Union. (Photo by Marcelo del Pozo/Reuters)

Lido cabaret dancers perform during a demonstration outside the cabaret as dancers, other employees and union activists are gathering to try to save their jobs and the history of the cabaret, known for its dinner theater and its “Bluebell Girls” revue, Saturday, May 28, 2022 in Paris. Amid financial troubles and changing times, the venue's new corporate owner is ditching most of the Lido's staff and its high-kicking, high-glamour dance shows – which date back decades and inspired copycats from Las Vegas to Beirut – in favor of more modest musical revues. (Photo by Thomas Padilla/AP Photo)

A billboard for JELL-O stands at the corner of Grand Street and West Broadway on August 2, 2011 in New York City. The billboard acts as a mood-meter by analyzing Twitter and guaging the number of happy and sad emoticons used at any given moment, causing the billboard's face to change between a smile and a frown. (Photo by Andrew Burton/Getty Images)

People in boats approach “Die Badende” (“The Bather”), a giant sculpture showing a woman's head and knees as if she were resting in the Binnenalster lake on August 3, 2011 in Hamburg, Germany. The sculpture, which is made of styrofoam and steel and measures 4 meters high and 30 meters long, is a project by artist Oliver Voss and will be on display for the next ten days. (Photo by Sean Gallup/Getty Images)

The amazing images, which show the balls of water reflecting an array of colours and even other insects, were snapped by photographer Uda Dennie in his garden. One of the massive droplets even stayed in shape for about a minute before the spider scurried off. Dennie, 33, from Batam Island, Indonesia, said: “I was really surprised to get such amazing pictures – it was really wonderful. I have a real passion for macro photography and after lots of trial and error I'm now able to produce good images – perseverance really paid off”. (Photo by Uda Dennie)

“Adventurers have gone deep underground to discover previously unexplored caves in these pictures. The awe-inspiring snaps show the cavers dwarfed by the huge series natural rock chambers in the Leye – Fengshan Geopark, China. Belgian photographer Francois-Xavier De Ruydts, 33, captured the team of explorers as they trekked through the deep wonderground in January 2014”. – Caters News. Here: Caving expedition in Fengshan, China, Guangxi province. (Photo by Francois-Xavier De Ruydts/Caters News)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.