Travellers wait in queue to test for COVID-19 at a train station in Mumbai, India, Tuesday, November 30, 2021. (Photo by Rafiq Maqbool/AP Photo)

A woman dressed in Qing dynasty style clothing rides a bicycle along a street near the Forbidden City in Beijing on October 24, 2023. (Photo by Wang Zhao/AFP Photo)

Blindfolded Myanmar boys try to eat the biscuits during a fair on the occasion of the 73rd Myanmar Independence Day in Yangon, Myanmar, 04 January 2021. Myanmar, also known as Burma, was colonized by Britain in 1824 and became an independent republic on 04 January 1948. (Photo by Lynn Bo Bo/EPA/EFE)

Indian commuters wade through floodwaters during the continuous rain shower in Calcutta, India, July 10, 2015. A monsoon shower hit the city and disrupted daily life. The Indian monsoon, takes place between May and September. (Photo by Piyal Adhikary/EPA)

“Red Land: Sunset Cloud Village is one of the most picturesque places in Red Land, China. As its name indicates, it's best to see before sunset. The reddish brown soil turns redder after rainfall and after farmers plow the land”. (Photo and comment by Peng Jiang/National Geographic Photo Contest via The Atlantic)

(L-R) Marisa Berenson, Caroline de Maigret, Nicki Minaj and Lou Doillon attend the Haider Ackermann show as part of the Paris Fashion Week Womenswear Fall/Winter 2017/2018 on March 4, 2017 in Paris, France. (Photo by Bertrand Rindoff Petroff/Getty Images)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)