Birds congregate by the ocean at sunrise, after California’s governor said he would impose some of the nation’s strictest stay-at-home orders in the coming days, as the global outbreak of the coronavirus disease (COVID-19) continues, in Santa Monica, California, U.S., December 4, 2020. (Photo by Lucy Nicholson/Reuters)

Turkish guard police take special training, lasting 316 hours, for carrying out their job at best at Police Training Center Directorate of Guarding Training Academy of Turkiye on June 1, 2022. in Ankara, Turkiye. (Photo by Evrim Aydin/Anadolu Agency via Getty Images)

Two scavengers collect plastics in the Citarum river in Bandung, West Java on March 28, 2023. (Photo by Timur Matahari/AFP Photo)

A dachshunds is dressed in an outfit as it is shown off during the eighth annual Dachshunds Parade in Saint Petersburg, Russia on May 25, 2019. (Photo by Olga Maltseva/AFP Photo)

In a picture taken with an underwater camera, a couple stands in front of a Polynesian priest during their underwater wedding ceremony on October 25, 2014 in Bora-Bora, in French Polynesia. The ceremony lasts twenty minutes and costs around 2700 euros. (Photo by Ben Thouard/AFP Photo)

A member of indigenous peoples and organizations linked to indigenous movements are holding a demonstration in the center of Manaus, Amazonas, Brazil, 30 May 2023. Indigenous people protested against a bill that is being processed in Congress that could make it difficult to demarcate native lands. (Photo by Raphael Alves/EPA/EFE)

Balinese children take part in a traditional mud bath known as Mebuug-buugan, a day after Nyepi – the “Day of Silence”, aimed at neutralising bad traits in Kedonganan village on Indonesia's resort island of Bali on March 23, 2023. (Photo by Sonny Tumbelaka/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)