A Chinese couple take pictures in an interactive installation art work named “You and Me” on Valentine's Day at 798 Art Zone on February 14, 2012 in Beijing, China. (Photo by Feng Li/Getty Images)

Roger Moore fights with Richard Kiel, as Jaws, who bites through a board in a scene from the film “The Spy Who Loved Me”, 1977. (Photo by United Artist/Getty Images)

Revellers take part in the annual block party known as “Casa Comigo” (Marry Me), during carnival festivities in Sao Paulo, Brazil on February 15, 2020. (Photo by Rahel Patrasso/Reuters)

“This grey adult male seal enjoys a good grin while lying on the beach”. (Photo by Michael Hutch/SplashdownDirect via Rex USA)

In this February 19, 2017 photo, a couple dances during the “If you don't give me....then you lend me” Carnival street party on Ipanema beach, in Rio de Janeiro, Brazil. The typical view of Carnival in Brazil is anything goes, with no headdress too big, no outfit too small, no song too ribald, but this year some organizers of the world's best known party are drawing the line at lyrics that are sexist, homophobic or racist. (Photo by Silvia Izquierdo/AP Photo)

Participants enjoy the “Color Me Run” festival in Hanoi, Vietnam, 28 May 2016. The festival which was inspired by the Holi Festival from India, attracted thousands of teenagers this year. (Photo by Luong Thai Linh/EPA)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.