Surrender by Jenkin Van Zyl, a surreal installation at Fact Liverpool on November 16, 2023 featuring film and sculptural works inside a large inflatable silver rat. (Photo by James Glossop/The Times)

A mural depicting a resting cat by Russian street artist Vladi is photographed by a man outside a hotel in Hong Kong on November 27, 2023. (Photo by Peter Parks/AFP Photo)

Liverpool fans walk past a mural of the Beatle’s Abbey Road album ahead of the Carabao Cup final match between Liverpool and Chelsea at the Camp and Furnace venue in Liverpool, Britain, 25 February 2024. (Photo by Adam Vaughan/EPA)

Solid Light, an exhibition of the immersive works of Anthony McCall, opens at Tate Modern in London on June 25, 2024. Installations use beams of light projected through a thin mist to create large three-dimensional forms. (Photo by Guy Bell/Alamy Live News)

The exhibition “All the colors of Warhol” on July 8, 2024 was opened in the SALON Gallery, the Museum of the City of Belgrade, organized by the Museum of the City of Belgrade and the Belgrade Festival Center of CEBEF, and will last until the end of the month. (Photo by L.L./ATAImages)

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Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)