A string is used to ensure that the skirts of female members of the honour guard are in the same height from the ground as they prepare for a welcoming ceremony for Congo Republic President Denis Sassou Nguesso outside the Great Hall of the People in Beijing, China, July 5, 2016. (Photo by Jason Lee/Reuters)

Sara Moni, dressed as the World of Warcraft's Sinestra, poses for photographers on day three of the Comic-Con International held at the San Diego Convention Center Saturday July 23, 2016 in San Diego. (Photo by Denis Poroy/Invision/AP Photo)

Swedish climate change activist Greta Thunberg, Isabelle Axelsson and German Luisa Neubauer take part in a climate strike protest during the 50th World Economic Forum (WEF) annual meeting in Davos, Switzerland on January 24, 2020. (Photo by Denis Balibouse/Reuters)

A rider holds on as a bull tries to throw him during the Bull Ride Spectacular on the first day of the 2014 Deni Ute Muster at the Play on the Plains Festival grounds on October 3, 2014 in Deniliquin, Australia. (Photo by Mark Kolbe/Getty Images)

A man representing the devil leaps over babies during the festival of El Salto del Colacho (the devil's jump) on June 22, 2014 in Castrillo de Murcia, Spain. The festival, held on the first Sunday after Corpus Cristi, is a catholic rite of the devil cleansing babies of original sin. (Photo by Denis Doyle/Getty Images)

Frogs playing dominos at the Frog Museum, a collection of 108 stuffed frogs in scenes portraying everyday life in the 19th-century and made by Francois Perrier, in Estavayer-le-Lac, Switzerland on November 7, 2018. (Photo by Denis Balibouse/Reuters)

Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.