A man representing the devil leaps over babies during the festival of El Colacho on June 10, 2012 in Castrillo de Murcia near Burgos, Spain. The festival, held on the first Sunday after Corpus Cristi, represents the devil taking away original sin from the newly born babies by leaping over them. (Photo by Denis Doyle)

A mosaic artwork, copied from an original painting, is pictured in a workshop in Kafranbel town in the Idlib governorate January 17, 2015. The mosaic workshop with 30 workers, manufactures artistic and revolutionary mosaics in Kafranbel. Each mosaic artwork takes 5 to 10 days to complete. The artists exhibit their artwork in local and international exhibitions, and have a scheduled exhibition this month about the “Syrian Revolution” in Turkey. (Photo by Khalil Ashawi/Reuters)

A faithful prays during the Divine Liturgy by Pope Francis at the apostolic Cathedral in Etchmiadzin, Armenia, June 26, 2016. (Photo by David Mdzinarishvili/Reuters)

“Baby jumping (El Colacho) is a traditional Spanish practice dating back to 1620 that takes place annually to celebrate the Catholic feast of Corpus Christi in the village of Castrillo de Murcia near Burgos. During the act – known as El Salto del Colacho (the devil's jump) or simply El Colacho – men dressed as the Devil (known as the Colacho) jump over babies born during the previous twelve months of the year who lie on mattresses in the street. ... The festival has been rated as one of the most dangerous in the world”. – Wikipedia

Photo: A man representing the devil leaps over babies during the festival of El Colacho on June 26, 2011 in Castrillo de Murcia near Burgos, Spain. The festival, held on the first Sunday after Corpus Cristi, represents the devil taking away original sin from the newly born babies by leaping over them. (Photo by Denis Doyle/Getty Images)

Matt Town of the st Centingas historic re-enactment group poses for portraits in his home while wearing his replica Saxon armour on October 12, 2016 in Ramsgate, England. This weekend marks the 950th anniversary of 1066, the Battle of Hastings and the Norman Conquest, and many historical groups will be participating in a large-scale re-enactment on the site of the original battle. (Photo by Leon Neal/Getty Images)

A Nepalese mother applies make up to her daughter dressed as the living goddess Kumari as they wait for Kumari puja to start at Hanuman Dhoka temple, in Kathmandu, Nepal, Wednesday, September 14, 2016. Girls under the age of nine gathered for the Kumari puja, a tradition of worshiping young prepubescent girls as manifestations of the divine female energy. The ritual holds a strong religious significance in the Newar community that seeks divine blessings to save small girls from diseases and bad luck in the years to come. (Photo by Niranjan Shrestha/AP Photo)

Originally hailing from a small town in Iowa, Adonna Khare was this year’s recipient of the Art Prize 2012 for her amazingly detailed large-scale pencil on paper works. All of Khare’s work evolve naturally without much pre-planning, essentially building her pieces as she continues to work.

During work hours on one of the busiest streets of Baku, Azerbaijan’s capital, parking attendant Rafael Veyisov wipes off the dust on cars with his fingers, slowly contouring the shapes of tall buildings and flying birds. In his artwork, he generally illustrates real towns to educate people about other countries, but sometimes he also lets his imagination run wild and produces impressive original works. Surprised by his talent, the car owners who regularly leave their vehicles in Rafael’s care, often leave them dirty just to give him an excuse to play around, and take photos of his beautiful artworks.