Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Claire and Rupert Callender of the Green Funeral Company pose for a photograph with a environmentally friendly coffin in woodland close to their office at Dartington Hall Estate on February 4, 2011 near Torquay, England. The Devon-based company operates as funeral directors and undertakers throughout the South West, offers an ecological alternative to traditional funerals, with coffins made from ecologically friendly materials such as wicker and bamboo, and can arrange funerals that encompass diverse religious and spiritual beliefs everything from a Catholic Requiem Mass, to a Pagan ritual at a stone circle on Bodmin Moor. (Photo by Matt Cardy/Getty Images)

Chris Gilmour is one of those people that can turn unexpected things, which most of us would simply discard as trash, into astounding works of art. By taking simple cardboard packaging and other recycled items, he was able to create intricate replicates of various large items, paying close attention to even the smallest details. His cardboard sculptures include everything from vehicles (motorbikes, cars, bicycles) to religious symbols. Some people may find it sacrilege to create religious icons out of trash, which includes toothpaste, condoms, etc.; however, art should not be bound by prejudice and bigotry of close-minded individuals. (Photo by Chris Gilmour)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

These adorable pawtraits seem to show the personalities of a variety of canines, capturing their incredible diverseness in their expressions and fine details. Khokhlov and Ershova, who are from Moscow, have taken portraits of about 50 breeds of pooches – earning much critical acclaim. (Photo by Alexander Khokhlov/Veronica Ershova/Caters News Agency)

A woman cries while sitting on a road amid the destroyed city of Natori, Miyagi Prefecture in northern Japan March 13, 2011, after a massive earthquake and tsunami. Five years on from the tsunami that triggered meltdowns at Japan's Fukushima nuclear plant, the page is anything but turned. A magnitude 9 earthquake and towering tsunami on March 11, 2011 killed nearly 16,000 people along Japan's northeastern coast and left more than 2,500 missing. The 10-metre (33-foot) tsunami swept away everything in its path, including houses, ships, cars and farm buildings. (Photo by Asahi Shimbun/Reuters)

Iraq's second largest city, Mosul, is locked under the rule of extremists from the Islamic State group trying to purge it of everything they see as contradicting their stark vision of Islam. A trove of photographs now housed at the Library of Congress offers a glimpse of a different Mosul – before wars, insurgency, sectarian strife and now radicals' rule. The scenes were taken in the autumn of 1932 by staff from the American Colony Photo Department during a visit to Iraq at the end of the British mandate. (Photo by AP Photo)