Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Andre Ermolaev is a photographer from Moscow, Russia (featured previously). In an ongoing series of aerial photos, Andre captures Iceland’s incredible landscape like you’ve never seen. Many of his images focus on capturing glacial rivers flowing through Iceland’s volcanic areas and the patterns and colours that emerge from the resulting flow.

U.S. Secretary of State John Kerry stands inside the historic Shackleton hut near McMurdo Station, Antarctica, Friday, November 11, 2016. Kerry became the highest-ranking American official to visit Antarctica when he landed for a two-day trip on Friday. He's been hearing from scientists about the impact of climate change on the frozen continent. Kerry's aides described the trip as a learning opportunity for the secretary of state. He has been receiving briefings from scientists working to understand the effects of climate change on Antarctica. Kerry has made climate change an intensive focus of American diplomacy during his term, and had previously spent decades working on the issue as a U.S. senator. Trump has called climate change a hoax and said he would “cancel” U.S. involvement in the landmark Paris Agreement on global warming. (Photo by Mark Ralston/Pool Photo via AP Photo)

A picture made available 26 April 2016 shows a tiger playing in the water with a trainer nicknamed “Super Tiger Man” at the Tiger Temple in Kanchanaburi province, Thailand, 24 April 2016. The site known in Thai as “Wat Pa Luangta Maha Bua Yannasampanno” has been the focus of a dispute with the Department of National Parks, Wildlife and Plant Conservation (DNP) after the DNP asked in 2015 that the temple hands over its 147 tigers since it was not licensed to keep them. The temple has requested for a zoo license according to its managing director. (Photo by Diego Azubel/EPA)

Uranjargal, a leader of the Mongolian neo-Nazi group Tsagaan Khass, stands next to a statue of Chingunjav, a Mongolian national hero, in Ulan Bator June 22, 2013. The group has rebranded itself as an environmentalist organisation fighting pollution by foreign-owned mines, seeking legitimacy as it sends Swastika-wearing members to check mining permits. Over the past years, ultra-nationalist groups have expanded in the country and among those garnering attention is Tsagaan Khass, which has recently shifted its focus from activities such as attacks on women it accuses of consorting with foreign men to environmental issues, with the stated goal of protecting Mongolia from foreign mining interests. This ultra-nationalist group was founded in the 1990s and currently has 100-plus members. (Photo by Carlos Barria/Reuters)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

We – Verena Popp-Hackner and Georg Popp - are professional landscape photographers. While we are based in Vienna/Austria, running our own (rights managed) image library and a small but fine photo-gallery. Photographing our tiny country Austria, with all it's culture and nature, canoeing it's rivers or lakes and hiking the Alps is our profession but our photographic “backyard” includes the rest of the planet as well. We use analog large format cameras almost exclusively for our landscape work, shooting on 4x5” sheet film, to provide clients with the maximum of print-sharpness and details and unsurpassed clarity and depth of focus.