Racegoers react as they leave after the second day of the Grand National meeting at Aintree, northern England April 5, 2013. (Photo by Nigel Roddis/Reuters)

ATTENTION: VISUAL COVERAGE OF SCENES OF INJURY AND DEATH

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A commercial airline landing at the Princess Juliana International Airport in St Maarten on July 9, 2018. Ukrainians Oleg Kolisnichenko, 36, and Yulia Nos, 25, have been blasted for the “stupid stunt” on Maho Beach, which lies next to the main airport on the Caribbean island of Saint Martin. The stunt was met with criticism rather than praise from social media users. (Photo by SWNS: South West News Service)

Brazilian bikinis are displayed outside a shop near Copacabana beach in Rio de Janeiro on August 4, 2016 on the eve of the opening of the Rio 2016 Olympic Games. (Photo by Leon Neal/AFP Photo)

A general view of atmosphere at the annual VOLT Festival in Sopron, 208 kms west of Budapest, Hungary on June 30, 2017. (Photo by Sandor Csudai/Rockstar Photographers)

Workers polish a snow sculpture ahead of the 16th Harbin Ice and Snow World in Harbin, Heilongjiang province, December 22, 2014. The 16th Harbin Ice and Snow World will be officially opened on January 5, 2015. (Photo by Reuters/Stringer)

Dennis Hong a professor of Mechanical & Aerospace Engineering at UCLA Samueli School of Engineering attempts to impede the movement of ARTEMIS, a full-sized humanoid robot with first-of-its-kind technology in Los Angeles, California, U.S., April 13, 2023. (Photo by Mike Blake/Reuters)

Two Bunny Girls from the Playboy Club and two Penthouse Pets from the Penthouse Club prepare to take part in the annual Good Friday waiters and waitresses race in Battersea Festival Gardens, London, 28th March 1972. (Photo by Ian Showell/Keystone/Hulton Archive/Getty Images)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)