A Funnel Web spider is pictured at the Australian Reptile Park January 23, 2006 in Sydney, Australia. The Funnel Web is one of Australia's deadliest animals, with a venom that is packed with at least 40 different toxic proteins. A bite from a Funnel Web causes massive electrical over-load in the body's nervous system. Finally, fatalities occur from either heart attack or a pulmonary oedema, where the capillaries around the lungs begin to leak fluid and the patient effectively drowns. Death can come as quickly as two hours after a bite if no medical treatment is sought. Due to advances in anti-venom, there has been no death from a Funnel Web bite in Australia since 1980. Australia is home to some of the most deadly and poisonous animals on earth. (Photo by Ian Waldie/Getty Images)

Two boys in the Gorbals area of Glasgow, UK on January 31, 1948. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. (Photo by Bert Hardy/Getty Images)

Alan Wilson, Director of James Ritchie & Son clockmakers, founded in 1809, adjusts a clock face at the Cannongate Tobooth to British Summer Time on March 21, 2012 in Edinburgh, Scotland. The Tolbooth, built in 1591, was where tolls and public dues were collected. The clock face dates back to 1820 and replaced an earlier clock from the 17th Century. Clocks will be put forward by one hour on Sunday March 25, 2012 at 1.00am and British Summer Time (BST) will officially start. (Photo by Jeff J. Mitchell/Getty Images)

One of only three active female blimp pilots in the world, Kristen Arambula guides her passengers towards the Goodyear blimp “Spirit of America” in Carson, California August 5, 2015. Christened in 2002, the air ship is being retired after 8,000 flights and replaced with a newer more modern version named the “Spirit of Innovation” in September. (Photo by Mike Blake/Reuters)

“The Skeleton Krewe was founded in 1999 by Christopher Kirsch. Inspired by the early days of Carnival before tractors and floats replaced walking processions, the Krewe has become one of New Orleans' premier marching clubs. The Krewe began actively marching as a small group of friends, but has grown to 40 active members”. – The Skeleton Krewe. Photo: “The Skeleton Krewe 2013 – Manning”. (Photo by Kevin O'Mara)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Workers carry sacks of coffee beans at a warehouse at the Nogales farm in Jinotega, Nicaragua January 7, 2016. Soaring temperatures in Central America due to climate change are forcing farmers to pull up coffee trees and replace them with cocoa, spurring a revival in the cultivation of a crop once so essential to the region's economy. (Photo by Oswaldo Rivas/Reuters)

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space