Vintage Newton, a pop-up exhibition of Helmut Newton prints from 1974-1984, opens in west London at the ONGallery. These prints, which feature Charlotte Rampling and Elsa Peretti, were produced from a series of transparencies that he considered his most provocative and important. Here: Saddle II. (Photo by Helmut Newton)

A combination photo shows some of the colourful doors seen in Rabat's Medina and Kasbah of the Udayas, September 2014. UNESCO made Rabat a World Heritage Site two years ago and media and tour operators call it a “must-see destination”. But it seems the tourist hordes have yet to find out. While visitors are getting squeezed through the better-known sites of Marrakesh and Fez, the old part of Rabat - with its beautiful Medina and Kasbah of the Udayas - remains an almost unspoiled oasis of calm. Smaller and more compact, its labyrinths of streets, passages and dead ends are a treasure trove of shapes and colours, of moments begging to be caught by the photographer's lens. (Photo by Damir Sagolj/Reuters)

A woman wearing a protective face mask carries her pet cat in a backpack as they wait to cross a street, amid the coronavirus disease (COVID-19) outbreak in Barcelona, Spain on April 9, 2021. (Photo by Nacho Doce/Reuters)

A Germany fan looks dejected after the FIFA World Cup Qatar 2022 Group E match between Costa Rica and Germany at Al Bayt Stadium on December 1, 2022 in Al Khor, Qatar. (Photo by Wolfgang Rattay/Reuters)

A cat walks in front of the body of a man killed by unknown gunmen in Manila, Philippines early October 18, 2016. A sign on a cardboard found near the body reads, “Pusher Ako, Wag Tularan”, which translates to “I am a (drug) pusher, don't be like me”. (Photo by Damir Sagolj/Reuters)

Russian-born artist Vlad Korneev poses for a picture in his museum called “Designpanoptikum, Museum For Extraordinary Objects” on November 4, 2010 in Berlin, Germany. The museum displays objects whose outward appearance was determined by function rather than form, he says, and are the result of a collection he started while accumulating props for his photographic works. (Photo by Sean Gallup/Getty Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)