An image captured by Jasmine Vink, the winner of the wildlife and animal category and overall winner in Australian Photography’s 2018 Photographer of the Year competition. (Photo by Jasmine Vink/Australia's 2018 Photographer of the Year by Panasonic)

In this handout image provided by Carnival Australia, captain of the Queen Mary 2 Christopher Rynd poses on the desk of the Queen Mary 2 on February 8, 2012 in Perth, Australia. (Photo by James Morgan/Carnival Australia via Getty Images)

Acid attack survivors wait in the back stage prior to participate in a fashion show titled “Beauty Redefined” organized by ActionAid Bangladesh in Dhaka, Bangladesh, March 7, 2017. Such horrific violence across South Asia is often prompted by insufficient dowries, rejection of advances or land disputes, disfiguring victims for life and ruining their prospects. (Photo by Mohammad Ponir Hossain/Reuters)

Models pose backstage at the Celia Kritharioti Spring/Summer 2012 fashion show at One Mayfair on March 20, 2012 in London, England. (Photo by Ian Gavan/Getty Images For Celia Kritharioti)

The couple freedivers Eusebio and Christina Saeyns de Santamaria, known as «One ocean One breath», exploring the pond around the world, plunging into the water deep down in one breath.

The project “1000 Shadows” by the street artist Herbert Baglione, who populates abandoned places around the world with strange and misty shadows and creatures… His latest creations are set in the empty rooms of an old abandoned psychiatric hospital in the city of Parma in Italy, which further increases the fascinating and frightening ambiance of his creations.

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)