A woman, covered in mud, dances during the traditional “Bloco da Lama” or “Mud Block” carnival party, in Paraty, Brazil, Saturday, February 14, 2015. Revelers in the seaside colonial town threw themselves into deposits of black, mineral-rich slime, emerging covered head-to-toe in the sludge. Bikinis and trunks disappeared beneath the mud, which highlights both gym-pumped pectorals and beer-fed guts. (Photo by Leo Correa/AP Photo)

Derby's Byron MacLean, left, edges out Hall's Joe Nham in the boys 55-meter hurdles at the CIAC State Open indoor track championships at the Floyd Little Athletic Center in New Haven, Saturday, February 17, 2024. Lyman Hall's Owen Rich, right, falls after taking down the final hurdle. (Photo by Cloe Poisson/Hartford Courant via AP Photo)

A police officer reacts to flames during a protest against Chile's government in Santiago, Chile on November 4, 2019. Unrest began in Chile last October 18 with protests against a rise in transport tickets and other austerity measures and descended into vandalism, looting, and clashes between demonstrators and police. Protesters are angry about low salaries and pensions, poor public healthcare and education, and a yawning gap between rich and poor. (Photo by Henry Romero/Reuters)

These sand-swept images show the ghostly remains of what was once a mineral-rich mining community. In its heyday, the town of Kolmanskop, Namibia, was home to about 700 families. Now all that remains are empty homes filled with sand, while cast-off items such as bathtubs are scattered about the surrounding area. Over time, the sand of the stunning dunes that encircle the town of Kolmanskop has been blown towards the abandoned residences, coating everything from streets to the interiors of houses and workshops. Here: Kolmankop, an abandoned mining town in Namibia. (Photo by David Ogden/Caters News)

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Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive.

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

These timeless postcards offer an eye-opening glimpse into life in Japan in the early 20th century. Taken from hand-colored photographs, the postcards showcase the still beauty of the country, depicting a nation on the cusp of modernization. The images feature solemn fishermen, bustling streets, temples and shrines: a country yet to be influenced by Western culture. The tinting effect brings out the rich colors of the natural surroundings, with trees, flowers and cherry blossoms jumping from the original black-and-white images. Here: Toyokuni Shrine Nakanoshima, Osaka, Japan. (Photo by New York Public Library/Caters News)