The art workshop founded in 2011 by Marvellini Brothers in Milan.“Imagination is more important than knowledge” (by A.E.)

When a French politician remarked that a monument should be raised in honour of American independence at a dinner party in 1865 he probably didn't imagine that the result would become an international icon of freedom. ...

This picture was taken in the 1890's and shows a group of loggers hauling a heavy load. It is hard to even picture how they got the logs stacked that high. It is also hard to imagine how they keep it from tipping over.

“Kirill Oreshkin of Moscow is crazy. Without the aid of equipment or safety gear, Oreshkin climbs buildings, statues, and whatever he can get his hands on to dizzying heights and then takes the most gorgeous selfies imaginable”. (Photo by Kirill Oreshkin)

Imagine living in the sea where it is permanently dark, cold, and food is hard to find. For many animals at depth, it may be weeks to months between meals. If you find something to eat, you have to hang on to it. This is why so many deep-sea fishes have lots of big teeth. This dragonfish, spotted off the coast of Australia, even has teeth on its tongue. They would be terrifying animals ... if they weren’t the size of a banana. (Photo by Julian Finn/Museum Victoria)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Night lovers; Hormozgan province, Iran. “In this picture, you can see the Milky Way rising on a fascinating spring night on the Persian Gulf coast. The stunning cliffs of this area make every viewer imagine and even talk to them! The light pollution from a faraway city was quite strong, so it was a challenging post-processing process. I’m a nightscaper who tries to achieve an artistic look in my images, and in this image, I tried to convey and capture the magic of this location”. (Photo by Mohammad Hayati/Milky Way Photographer of the Year)