Black Live Matter march from Clapham Common (led by Iman, the Forever Family Force and the Slow Boys, on motorbikes) to join the Stop the Maangamizi: Afrikan Emancipation Day Reparations Rebellion in London, UK on August 1, 2020. They aim to lock-down Brixton because “WE/they are not being HEARD” in their demand for the UK Government to establish the All-Party Parliamentary Commission of Inquiry for Truth & Reparatory Justice. (Photo by Guy Bell/Alamy Live News)

Thailand’s Sanctuary of Truth is an all-wood building filled with sculptures based on traditional Buddhist and Hindu motifs. It is covered in intricate wood carvings, meant to depict complex ideas about ancient thought, human responsibility, and the cycle of life. (Photo by Yury Taranik/Getty Inages)

“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth”. – Oscar Wilde. (Photo by Lala Roe)

In this composite image Actress Sophie Marceau has an embarrassing moment as her top falls down while she enters a screening of “Where the Truth Lies” at the Grand Theatre during the 58th International Cannes Film Festival May 13, 2005 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

He has been a graphic designer, 3d artist, photo-retoucher as well as illustrator. One thing is for sure, Brian Despain makes one amazing fine artist. This piece started as a post-it note and then ended up this dynamic piece after much work, apparently he thought it looked too much like Plankton from Spongebob Squarepants. Brian is currently in a group show at Roq La Rue in Seattle. The print is signed and numbered in an edition of 30. There are two other prints available as well just in case you another one of them hits you better.

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)