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Launch Pad and Gantry with Hermes A-1 Rocket – V2 Launch Complex 33, White Sands missile range, New Mexico in 2006. (Photo by Roland Miller)

Roland Miller is on a mission to document the deserted sites of America’s space race. He has photographed launch pads, bunkhouses and research facilities across the country, some of which no longer exist or are closed to the public on secure military bases. His book, “Abandoned in Place”, is published by the University of New Mexico Press in March. Here: Launch Pad and Gantry with Hermes A-1 Rocket – V2 Launch Complex 33, White Sands missile range, New Mexico in 2006. (Photo by Roland Miller)
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25 Feb 2016 11:38:00
Hong Kong By Michael Wolf

The focus of the german photographer michael wolf's work is life in mega cities. Many of his projects document the architecture and the vernacular culture of metropolises. Wolf grew up in Canada, Europe and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994 where he worked for 8 years as contract photographer for Stern magazine. Since 2001, Wolf has been focusing on his own projects, many of which have been published as books.
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23 Jan 2013 12:02:00
Realistic Celebrity Caricatures By Rodney Pike

Hi, my name is Rodney Pike and I am a Humorous Illustrator. I have a lifetime of experience in Fine Art and Graphic Design and Digital Illustration. I offer Photo-Manipulated Illustrations of all sorts but I specialize in Photo-Manipulated Caricature Illustration, Humorous Illustration and Political Satire, perfect for magazines, books, etc. My clients include companies such as FHM Magazine, Tennis Magazine, The Village Voice Magazine, Bauer Media, Miller Publishing Group, New Coast Productions and Catchphrase Entertainment. I am a member of the ISCA and NAPP.
Rodney Pike
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23 Nov 2013 13:43:00
Egmont National Park in New Zealand with Mt. Taranaki at its center is seen in a Landsat 8 satellite image. (Photo by Reuters/NASA/USGS)

Egmont National Park in New Zealand with Mt. Taranaki at its center is seen in a Landsat 8 satellite image taken July 3, 2014 and released by NASA November 14, 2014. The image is from the book “Sanctuary: Exploring the World's Protected Areas from Space”, published by the Institute for Global Environmental Strategies with support from NASA, which was released this week. (Photo by Reuters/NASA/USGS)
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16 Nov 2014 12:15:00
These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. “Interestingly the British, French and Germans took completely different approaches with varying results”. The British military produced “Little Willie” in Autumn 1915 weighing 18 tonnes, which had a crew of two plus four gunners. “Inspired by a tracked artillery tractor “Little Willie” was referred to as a water tank – hence the name tank – to ensure secrecy”, said Anthony. “This led to the strange looking Mark I with its peculiar rhomboid shape, designed to cross trenches with guns in sponsons on either side. The Germans saw the tank as unchivalrous and were slow to grasp its utility. They favoured the Stormtrooper (specialist soldiers used to infiltrate enemy trenches) and artillery, not the tank”, said Anthony. “However, they didn’t hesitate to make use of captured British tanks. Although the tank helped secure victory and German soldiers dubbed it “Germany’s Downfall” the country was ultimately brought to its knees by the Allies blockade”. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)

These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)
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23 Feb 2017 00:02:00
Son And Dad Nicolas and  Weston Cage

Weston Coppola Cage (born Weston Coppola on December 26, 1990) is the son of Nicolas Cage and Christina Fulton. Weston appeared in Cage's film Lord of War as Vladimir, a young Ukrainian mechanic who quickly disarms a Mil Mi-24 helicopter. He also appeared in the vampire film Raven in 2009 and was featured on the soundtrack for the film Drive Angry.

Weston is lead singer of black metal bands Eyes of Noctum and Arsh Anubis (With the moroccan bass player Soufiane Elyamouni "Apophis" n the Egyptian Guitar player Alhussain Sherif "Izund" ). He has also created a comic book with his father, Nicolas Cage, called Voodoo Child, which was published by Virgin Comics in 2007.
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09 Jan 2013 13:30:00
Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene. Hundreds, possibly thousands, of sperm whales were twirling and twisting through the water, bumping and rubbing against each other, and there was a cacophony of sound – the pulsation, buzz, creak and crackle of whale communication. The picture shows just a fraction of the scene, with the whales stacked up below. Undoubtedly, this was a clan gathering”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)

A new book published by the UK Natural History Museum showcases some of the most memorable underwater photographs taken over the last few decades in its annual wildlife photographer of the year competition. Here: Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)
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17 Apr 2018 00:03:00
“Two-Handed Saw, 2014”. “Most of the neighbors have switched to power tools to run their households, the buzz of chain saws and weed-whackers overpowering the quieter sounds of country life, but my aunts hold on to the two-handed saw that's decades old, the sickle and scythe that need to be sharpened and polished after each use, the old axe that's becoming heavier each year. Each of these objects is familiar, holding memories of their brother, who succumbed to cancer a few years ago, of days before my grandfather lost his vision in the 50's, of busier days and longer futures”, Sablin told. (Photo by Nadia Sablin)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)
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25 Feb 2016 12:12:00